Arooj Aftab

 

For the past few years I had the incredible honor not only to share the stage with Arooj Aftab many of times, but also be involved in the creating and recording process of her debut record coming out soon. You can find out more here. We have learned and grew together socially, musically and personally and we’ll continue to push each other boundaries to learn and inspire.

Listen on SoundCloud

About Arooj

Arooj Aftab innovates off classical Pakistani, Sufi & pre-partition South Asian music, creating original compositions honoring ancestral roots,for a sound that is fresh, graceful, and musically complex. Paying homage to classical sufi legends such as Abida Parveen and Reshma; neo-soul and jazz icons such as Sade and Ella Fitzgerald; and contemporary world musicians such as Marisa Monte and Fat Freddy’s Drop, Arooj presents an original, interactive sound embraced by young and old, South Asian and beyond.

Originally from Lahore, Pakistan, Arooj moved to the U.S. in 2005 to study Music Production and Engineering at Berklee College of Music. Having completed her education and now based in New York, Arooj is working as a fulltime performing artist, music composer and sound editor.

Through exposure to diverse musical genres and incredibly talented artists in Boston and in New York City, Arooj is inspired to continuously develop her art and deepen her understanding of the possibilities of music. Layering subtle, intricate, dynamic vocals over acoustic instrumentation, Arooj skillfully re-imagines indigenous soul with signature ‘cool.’

Arooj will soon be releasing her debut album as part of Rebuild Pakistan, an initiative she created to promote a vision of peace and healing for Pakistan, inspiring a global community to rebuild perspective on Pakistan, and urging the people of Pakistan to actively engage in rebuilding their homeland. The album and the initiative harness collective creativity to express solidarity with politically stigmatized, economically marginalized, culturally and spiritually powerful people across the earth.

The Band

Bhrigu Sahni:
an acoustic guitarist with a minimalist delicate approach that compliments and amplifies Arooj’s style. Through a deep understanding of Sufiana/classical phrasing and an innate sensitivity to this complex musical genre, Bhrigu partners with Arooj in composing and creating an innovative expression of South Asian Ancestral wisdom.

Jorn Bielfeldt:
Originally from Germany, Jorn is a percussion sound artist who supplies live, analog processes drum set to accompany time and sound in a way that is always fresh, innovative and deep. A resourceful and efficient player, Jorn creates an electronic soundscape without sacrificing the acoustic root of his instrument.

Mario Carillo:
A versatile bassist skilled in the upright an the electric base. Mario can hold down the soul in a diversity of collaborations from jazz, funk, and electronic to Eastern, Flamenco and Cuban. With roots in a small town near Madrid, Mario draws from indigenous Spanish musical traditions to interpret South Asian rhythms with intuitive grace.

Arooj is also frequently joined on stage and blessed by these outstanding artists:

Stelios Michas  guitar
Magda Giannikou  accordion
Grey McMurray  guitar
Sonny Singh  trumpet
Meshell Ndegeocello bass

 

“Aftab’s ethereal voice swirls and dives in the delicate, complicated motions of her country’s long musical heritage, and the young musician merges sonic palettes with natural grace. “ -Boston Globe

“Arooj has the unique ability to combine her training in traditional vocals with western instrumentation in a way that is both accessible to western audiences and still very culturally unique” -Anoushka Shankar

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JBR – Jörn Bielfeldt & Ryan Edwards – Original Live Music for Dance and Film

The creative duo of JBR places live, original music back in its place alongside the visual arts of dance, film and other forms of motion media.

Specializing in assembling unique teams of musicians, composers, lighting designers and video projection artists, JBR brings a variety of artistic disciplines to the table serving their clients and audiences. Combining experience in analog and digital musical processing as well as completely organic, textural instruments, the duo finds the center of their work in a variety of drums and percussion instruments and radiates out from there.

Finding the intersections of traditional, modern, and contact improv dance as well as pop, jazz, avante garde, afro-beat and improv musics, the duo and their team realign with the spirt of service to dance and movement, comfortable, even dedicated to shifting the focus off of the musicians and back to the motion and media of their collaborators.

For every contract they receive, the duo assembles the appropriate team of additional musicians, composers, designers, and producers drawing upon years of experience in the performing arts.

Most Recent Production:

An original performance piece written, directed and produced by JBR with collaborative guest dancers and video and lighting designers.

TRS (tension and release suite)

Premiered May 13, 2011 at  Zach Box Theater, Boston MA

Second Staging September 8, 2001 at Berklee Performance Center, Boston MA

Watch the Full Length presentation of TRS at the BPC 9/8/11

This piece is about 25 minutes long. Best enjoyed through quality speakers or headphones!!!
Production
Ryan Edwards
Jörn Bielfeldt
Musicians
Ryan Edwards
Jörn Bielfeldt
Kenji Herbert
Andrew Dow
Dancers
Rebecah Goldstone
Gerald Watson
Visual Content pre production
Aaron Edwards
Visual Content live realization
Bob Nicholson
Lighting Design
Tim Schoen
House Lighting
Ben Kim
BPC production Manager
Bradley Berger
Ed Liberator

with amazing support of the Office of Cultural Diversity & Inclusion 

Lovely set of excerpts from the May 2011 Premier of TRS

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what is in between?

“improv re-scoring for a derivative work of 1929 “metropolis” directed by – “master of darkness” – Fritz Lang.

In these pictures I found the perfect world for my music to exist on a different level.

Everything you hear is coming from my “live processed acoustic drum-set”!
Its only me playing my drums, tweaking knobs and singing here and there…. all life. no loops. no computers. improv chamber sound collage.

6 contact microphones on drums and cymbals and 1 vocal microphone …
are send to a 16 channel mixer … with 8 auxiliary sends … to delay, reverb, tremolo, distortion, phase shifter … and an AKAI MFC42 analog filter with LFO/Envelop …
each of those effects return into separate channels … main inserts go to compressor/gate/limiter and a graphic EQ … recorded on to one stereo track in Logic.

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“soundcloud” makes everything sound so much better

fresh .wav it is! three tracks from being sick today!

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playing with kinki ski monkey

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“live processed acoustic drumset”! for Kenwood Dennard

Listen on SoundCloud
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AJ

Andre AJ Farley leads and plays alto

Alex Syner prepared guitar

Jörn Bielfeldt drums

Listen on SoundCloud
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waiting to get home

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here is the first visual experiment…

take your headphones, listen, enjoy and don’t mind the visual latency…

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johnny is coming to europe.

I am very happy to announced that we will play a fundraiser show for the upcoming tour next summer. Keep the 15th of January open if you are in North Germany. Details will be out soon!

Also we will be in Paris for a week beginning of the year to play a few shows and to start working on an animated music video.

“Sparks” and “Cycles”, the first two tracks listed below, are un-mixed-un-released-rough-tracks from the upcoming record, which shows an evolution from the solo-songwriter into folk-songs mixed with dance beats, horn/guitar pads, and a new breed of indie-rock. The new project consists of Jörn Bielfeldt (Drums) and Ann Driscoll (Bass). Engineered and co-produced by Alex Krispin (Horns) in downtown Los Angeles, the new record is scheduled to be fully released this coming summer 2011. For those agents/venues/events booking for the upcoming tour in 2011, this is what you’ll hear…

“Singer/songwriter Johnny Nicholson reflects a deep and diverse talent. Unafraid to venture into new territory, he’s lived in California, New Hampshire, Massachusetts, and Europe. Nicholson’s motley of adventurous explorations in geography is paralleled with his musical styles. He can play it all, from pop folk, to reggae, to smooth lullabies, to rock.”

[audio:http://jornbielfeldt.com/wp-content/uploads/2010/02/sparks_very-rough.mp3|titles=sparks (very rough mixdown)]

[audio:http://jornbielfeldt.com/wp-content/uploads/2010/01/Cycles-very-rough-Bounce.mp3|titles=Cycles very rough Bounce]

P1160041

Last year I played a Berklee Performance Center Show in Boston, MA with Johnny and some Monkey Rock friends.

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